The tendinitis is very common in dance injuries and sports injuries. In fact, when someone says "I have tendinitis" refers generally to the Achilles tendon, but is said to be common. Inflammation, or "itis" can occur in any area of the body.
The Achilles tendon is the lower end of the calf muscles, and inserts or attaches to the heel. The calf muscles above, and the intrinsic muscles of the foot down, they are forced to do real workmoving the foot flexed or extended (pointed, in ballet).
If the foot can flex and stretch without changing its angle (curving outward, or sickle cell disease in the ballet, or curved inward, sickle cell or "foot dove '), and in many cases irritate the tendon.
This is the assumption that when standing on a flat surface, the foot is tilted inward, what people think of as "fallen arches", or bend outward to the edge of the pinky toe.
Brokers andother athletes often work on uneven surfaces and depend on the strength and supportive shoes to minimize the change in the angle of the foot touches the ground or pushes. Dancers absolutely depend on foot to prevent abuse of power, as they generally are not supported by her dancers in ballet and pointe shoes. If necessary, however, braces, or leveling up, you can use in dancing shoes.
If a dancer or athlete has bowed legs, orhyper-extended legs, there will be a spot created just for feet on the ground. If this situation is understood, students can be taught how to avoid inflammation of the Achilles tendon through understanding, and correct, or compensation for this particular precise anatomical details.
Correct position of the hyper-extended legs by stacking the skeletal joints (ankles, knees, hips and up) and hold down participation, correct the natural pronation (fallen arches) offeet on the ground. Sometimes this is not even visible to the naked eye on the dancers, because of a strong cumulative muscle structure is misleading. Even chiropractors and physical therapists to test the dancers muscles extensively, in order not to lose this argument, to gain experience with it.
As athletes more and more people are studying ballet principles of participation and footwork to gain an extra edge in performance, and prevent sports injuries, hopefully the areahyper-extension will also be addressed.
bow legs required angle of the feet, to be on the floor. In ballet, correct use of participation, the development of the intrinsic muscles of the foot, and if the well-placed body weight on the feet (hyper extension and bowed legs tend to throw the weight back ) minimizes the 'overuse and irritation of the Achilles tendon.
Both dancers and athletes need to understand that poorly developed foot muscles lead to exhausting thecalf muscles. In turn, creates tension, loss of muscle tone and strength, and Achilles tendonitis develops.
Once inflammation has set in, rest and ice should be applied. A brave patience is needed in the recovery, as the pressure to remain competitive in the daily guide for an upcoming performance review, or test equipment output, should be resisted. It is the long-term persistence in your chosen field depends on avoiding a chronic situation.
Ballet, dance and sports injuriescan be prevented. If you are a pre-pro, an aspiring dancer, dancer, mostly recreational, learn everything possible about how to prevent abuse and Achilles tendon injuries.